a5c7b9f00b In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Joe is classified as a "looper", a job in which his employers use time travel to send men from the future to be killed into the past, where Joe can properly dispose of their bodies. However, to tie up loose ends and erase the evidence of his ever being a looper, Joe knows that one day his future self will be sent back for him to kill. When this day comes, Joe's future self is prepared and escapes, and the two men struggle separately in the past trying to evade capture and attempting to fulfill their own personal agendas.
where to begin?< the biggest problem was that it was made in the first place. i have to admit tho that it started kinda OK but soon lost the plot, and the mother and boy ( the villains if you ask me )??? wtf id have shot them where they stood but a very useless younger self couldn't do it ( couldn't do anything as far as i was concerned ) it wasn't to his older self ( willis ) turned up that anything meaningful happened…that little boy is as evil as I've seen in any movie and needed taking out if only to get his annoying face of the screen but then young joe had to screw things up by shooting himself therefor deleting his future self when the little turd was gonna kop it…only plus is that younger joes self was dead, then onto emily blunt!! was there any point to her role?? she didn't turn up to halfway in and in all honesty i thought diner brought more to the film then she did….but the biggest gripe for me was seeing the bit of wood and her damien omen child walk away from it all…with the gold grrrrrrrrr. have lost nearly 2 hrs of my life watching that turkey and if i could in 30 yrs time id travel back in time and stop myself from watching it…whatever it took
What happens in the future when the Mob wants to get rid of people? Well, they send them back in time of course. To a point in time where no one is looking for them. Standing in wait are these assassins named Loopers, who kill these time travelers on the spot and then incinerate the bodies. Of course, what happens when a future version of yourself is sent back and you must kill him, failing in the process? Well, now you&#39;re being hunted down while trying to set things right and kill yourself, I mean, your future self. Still with me? Because if you are, and you think that sounds cool, then you&#39;ll like the movie Looper.<br/><br/>In the film, Joseph Gordon-Levitt portrays a young Bruce Willis with eerie accuracy, in a large part thanks to some excellent prosthetic makeup. What&#39;s so enjoyable about this film though, is that it&#39;s just original. At every turn, writer/director Rian Johnson is turning your usual expectations for a sci-fi film on its head. The future is not full of flying cars and robots, but it&#39;s a more gritty, realistic idea, where only the rich have hover bikes, and the poor still drive wheeled vehicles. As well, things like telekinesis and time travel are treated as everyday things. There is some social commentary here, but that&#39;s not the real meat of Johnson&#39;s story. The real questions he proposes, is the age old question – Can you change the future?<br/><br/>While Looper bogs down in it&#39;s latter half, as Gordon-Levitt finds himself holed up at a farm with a single mother and her child (who could give Damien from The Omen a run for his money in terms of creepiness), Johnson manages to hold the film together and deliver an emotional ending. So it isn&#39;t perfect, but Looper is one of the more daringly original sci-fi films in a long while. Featuring stellar action, good performances, and plenty of food for thought, Looper is a worthy sci-fi successor in the Kubrickian-fashion.<br/><br/>I give Looper an 8 out of 10!
As time-travel action films go, here's one that's brainy, stylish and carries itself with B-flick modesty - all of which feels like some kind of alchemy.
They were only meant to take Old Joe but the henchman was startled by his wife and fired carelessly. She also had a gardening tool in her hand that, at a quick glance, looked like a weapon. As previously stated, the killing of Joe&#39;s wife was unintentional. However, it&#39;s not impossible to murder people in the future. It&#39;s just impossible to get away with it. So it&#39;s likely that henchman would have been apprehended and charged for her murder. We don&#39;t know the specific laws of the time machine. One could assume that time travel technology simply moved people through time, not space (though, when you travel through time you are moving through space as the Earth is constantly moving through space). The Kansas cornfield where the murder victims-to-be show up could be the site of a secret mob time-travel facility 30 years later. Rian Johnson has hinted in an interview that all the time machines have fixed locations, so they cannot be changed to send victims into space, the sea, directly into a furnace, etc. Looper indeed has its unique way of looking at the concept of time travel. Many people have praised the way the concept is depicted here, yet they have also indicated that this approach allows for quite a few plot holes.<br/><br/>The most obvious ones arise from the fact that the story seems unaffected by so-called time paradoxes. A prime example of this is the final twist: young Joe realizes that old Joe is about to kill Cid&#39;s mother Sara, which will be the event that causes Cid to become the feared Rainmaker. So young Joe sacrifices himself, and by killing himself, old Joe also vanishes. Sara lives, Cid never becomes the Rainmaker, and the dark future is prevented. But this immediately causes a paradox: if young Joe is dead, then he can&#39;t age to become old Joe. If old Joe doesn&#39;t travel back to the past, he can&#39;t set in motion most of the events in the movie that cause the finale, including young Joe killing himself. And if young Joe doesn&#39;t kill himself, old Joe will be sent back in time, forcing the world to go into an endlessly repeating cycle of events.<br/><br/>This is often referred to as the &quot;Grandfather paradox&quot;, named after the thought experiment where one cannot theoretically go back in time to kill one&#39;s grandfather: doing so would prevent you from being born. If you&#39;re not born, you can&#39;t travel back in time, and thus you can&#39;t kill your own grandfather, which, in turn, causes you to be born, travel back and kill your grandfather. In short, a paradox will ensue when one travels back in time, and does something to affect the act of the time travel itself.<br/><br/>In an interview, <a href="/name/nm0426059/">Rian Johnson</a>, director of Looper, has indicated that it was part of an early creative decision to take a linear approach to time, instead of one where there is a constant switch to alternate timelines. This means that time is dealt with on a moment-to-moment basis (&quot;nothing has happened until it happens&quot;). In practice, this means that any changes made to the timeline do not retroactively affect the entire timeline; they only take effect from the moment that changes were made (&quot;Everything is kind of being created and fused in terms of the timeline in the present moment; the universe would realize [the change and] catch up with it&quot;).<br/><br/>For example, as soon as young Joe starts to carve messages for old Joe into his arm, Joe receives the scars from this change. Technically, he should have had them even before he was sent back in time. So the timeline is not completely re-written; the change has no effect on the past (before the change), only the future (after the change).<br/><br/>In Johnson&#39;s own words: &quot;What&#39;s important is what the experience of these people are in the events that happened in the movie. And that, you have to experience in a linear fashion.&quot; Whether or not this is an accurate depiction of time-travel, it does conveniently negate the effects of time paradoxes.<br/><br/> &quot;Powerful Love&quot; by Chuck &amp; Mac.
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